terminal list

My wife and I watched the TV show based on this book a little while ago, and after we finished it, she found this book and told me she'd read it a few years ago and thought she'd recognized the story. She said it was pretty good so I gave it a whirl.

Jack Carr is a retired navy SEAL, and like some others who have gone this route, Carr set about writing stories about SEALs. Write what you know, if the often heard advice for beginning writers, so its seems that's what he did. In the Preface, Carr tells us that because he's a retired SEAL, that of he wants to write about SEALs, or any other thing he may have been exposed to or knew about as an employee of the United States, he needs to get it cleared first, which he did. The powers that be found a few things they wanted him to take out, and rather than re-write around those items, Carr decided to leave them in and redact them; placing black bars in lieu of the original sensitive text. Its was his opinion that it would add some realism to the story, and I think it does.

When one does a search on the interwebs for The Terminal List, the first thing that shows up is the TV series starring Chris Pratt as Lieutenant Commander James Reece, rather than the book. No surprise there, I guess. Since the first book in this series, Carr has cranked out 5 more, James Reece books.

So what are you in for? Well I don't typically like spoilers, but I will say this; think of Jack Reacher, if he was put in a position like John Wick. In the acknowledgements, Carr takes a moment to thank Brad Thor, who apparently helped him out with advice when he was getting started. Its seems to have worked out pretty well for Carr, I think his James Reece character is a little stronger that Thor's Scot Harvath.

midnight library

I'm not sure when or even why I added The Midnight Library to my reading list. My reading list, by the way, is in a few forms: a list I keep on my public library account, occasionally a written note when I hear something from someone, perhaps on the radio, and most often, photos of book covers that I see in my travels. 

This one came from my library account reading list, and tho I sometimes add a note about where I heard about it, this title has no note. I'm guessing I heard about it on the radio. This book was on the NYT Best Sellers list for a while, and so it probably got some radio time.

A quick look on The Books tab here, confirms that I haven't read anything else by Matt Haig, at least in the last 14 years. This book was located with the travel books at the library, which I though was interesting. I assume that was a kind of marketing ploy, like putting some bananas near the cereal at the supermarket. There was some traveling, certainly, in this book, altho it was mainly confined to the spiritual plane between the infinite versions of the multiverse. I will concede, however, that whilst visiting said alternate realities, the physical location of our protagonist, Nora Seed, did vary on occasion.

Confused yet?

Its simple, really; The Midnight Library is an examination of lives unlived. Its a what-if book, that allows Nora Seed to examine how her life may have been were she to have made different choices; and through her, we are encouraged to examine our own lives, our regrets, and our potential alternate lives. Think of Ebenezer Scrooge, and how he was able to reexamine his past, present and future lives as an outside observer, and to take from that what he could. Nora Seed is given a similar opportunity, sans ghosties. sort of

Its hard to give you a better idea without spoilers, and perhaps I've gone too far down that road for some. This was an entertaining, fast read. It started out rather depressing, but I had a feeling it would be okay in the end (I'm an optimist!) It did get better, but it was cloudy day or two at the beginning. If you are already depressed, this may help, but you've have to slog down into the valley before coming up into the sun on the other side. Stick with it, if you think you're up to it.

Based on some of the other titles from Matt Haig, this is his sandbox. I'll leave it to you to decide if you want to read more of his stuff. If this one helps, the others may as well. For me, I think it helped me to understand depression and regret a little bit more, but, like A Christmas Carol, it puts too rosy of a glow on what the possibilities are for folks that are struggling, and if I were struggling, I'm not sure if I'd see this as a positive, or if I'd see it as sweet, but unrealistic fantasy for those who have to deal with regret and despair. cheer up bunky! it could be worse, and it might even get better!

Yeah, I'm not sure that's the kind of thing depressed and/or despairing folks can effectively onboard, but I'm not an expert, you do what's right for you. On balance, I enjoyed it.

code of conduct

Scot Harvath is at it again, in Brad Thor's new spy/counterterrorism adventure, Code of Conduct. Well, I say new, but its just new to me. The copyright date is 2015, so I'm assuming this book has either been kicking around the house a while, or my wife bought in (along with a handful of other adventure books, I assume) on a more recent outing and I just found it. Either way, this is the kind of book my wife likes to read, and I read by default. 

I'm not complaining, I enjoy the spy/crime/intrigue novel as much as the next person, I just find that this isn't the type of book I actively go looking for at the library or the book store. I do buy books like this when I find them at book sales and the like, because I know that my wife and I will both get to read them. My wife is not likely to read the fantasy, or scifi, or surreal books which tend to be my first choices when I'm doing the aforementioned active looking.

Scot Harvath fills the role of  kick-ass guy in Thor's adventure series, commonly referred to as the Scot Harvath Series. I wouldn't worry too much about what the series is called, it doesn't look like Brad Thor has another series. Its working for him, so why mess with it. Code of Conduct is book 14 in the 22.5 book series. yeah, I don't know, that's just the way its written

This book--again, copyright 2015--is about a pandemic that spreads around the world pretty quickly, infecting folks from the poorest to the rich and powerful. So its a little eerie to think of him banging away on his word processing app writing this story of a pandemic 5-years before COVID, and just to get the conspiracy theory junkies all juiced, Thor's pandemic is a man-made terrorist attack, with some megalomaniacal, new-world-order sauce thrown in there. 

This isn't the first time Brad Thor has written a Harvath book that seems to predict the future either, sooo...

In my review of the last book I read in this series I said that Scot "Harvath is your standard super secret agent man..."* I had the same feeling about the Harvath character in this book, as you can see above. I'm not sure that's a big problem, Thor is writing a pretty good action story and doesn't get too wound up about the backstory or supporting characters so much, but I did get the sense that there was some depth to these characters, its just that I think you'd have to read a bunch of these books in order to understand that.

* Yeah, I just quoted myself. Get your own blog.

 

amina al-sarifi adventures

I was first attracted to this book at the library. It was on the shelf, face out, in the new fiction section, not far from where I had recently found The Priory of the Orange Tree, and then The Day of Fallen Night, both by Samantha Shannon. The Adventures of Amina Al-Sirafi is by Shannon Chakraborty,* so there is a similarity in the names, but not just that, the illustrations on all three of these books seemed similar, so I picked up Al-Sirafi thinking that it was another book by the same author.

Similar name (Shannon)... similar artwork... but no, this is a different adventure. One I turned out to like, but the similarity in the illustrations was uncanny. I figured that it had to be the same person.

Yep.

Ivan Belikov did the cover art for all three of these books. Belikov does these rich, crisp illustrations of mystical beasts that made him a great choice for all three of these adventures.

The Adventures of Amina Al-Sirafi is the first (I'm assuming) in a new series of adventures for Shannon Chakraborty. I haven't read her stuff before that I can recall, but she established herself with another fantasy series known as the Daevabad Trilogy. I say the first in a series, but this actually read like the first book is a series, which has also intentionally left plenty of room for prequels, if this series does well. I guess you might call that savvy.

This story does--perhaps because of the need to leave room in both the future and the past--spend some time and text on both world building and backstory, but the adventure makes up for that, especially when one considers that there is probably more to come, and that backstory is going to be helpful in the future. and the past? the future-past? past-of-the-future? 

Chakraborty is a fan of history, according to he acknowledgments, and did lots of research to ensure that the travels, the ports, the seas, the ships, and the customs, Amina Al-Sarifi is awash in ring true. There is even a bibliography and further reading suggestions at the back of the book, including some translations of a few of the adventures this stories Al-Sarafi is based on. Most of Chakraborty's research was done in the original language, and she points out that there aren't many of those volumes that have been translated into English, so she has us (sole English speakers) at an advantage there. 

Does this book remind me of The Story of Sinbad the Sailor? Yep. Is that a bad thing? Nope. This one is worth a read, and I'll be looking for the next one.

* Shannon Chakraborty used to use the "author name" S.A. Chakraborty, which she used for the Daevabad Trilogy. Looks like Shannon Chakraborty is the name her future works will be published under.

day of fallen night

A Day of Fallen Night is the follow-up to The Priory of the Orange Tree. I guess you could say that its the second book in a series, but I'm not sure if there will be others, but I think there will be and its more accurate to describe this book as prequel. This is the third book in a row I've read by Samantha Shannon, so I guess she's doing something right. 

Fallen Night, and the last one, are part of Shannon's Roots of Chaos Series. Based on the number of books in the Bone Season Series, I'm guessing that there will be more. Shannon has built a whole world here, and this prequel tells me that she has dug pretty deep into this world's history, mythos and culture.

The science and physics of this world differs from ours in that magic is woven into the energy that powers it and the universe it which it sits. Magic and science intertwine, as natural as the tides and the seasons. Shannon told us in the first book's foreword (or somewhere) that the cultures and myths that form the foundation upon which her world building grows, come from a variety of our own world cultures and traditions. Those histories bring some of their own weight to Shannon's world building, helping to cement them in the reader's mind. J.K Rowling was good at that, as is Lev Grossman, in an interesting derivative way, building on the worlds other authors built--including Rowling's--based on our own world.

Does that mean Shannon is standing on the shoulders of those who came before? Yes, as are all successful authors, to a greater or lesser extent. 

I think it may be tricky to create a prequel that has almost no characters in common with the cast of characters from the first book in a series. Its the characters we come to know, as well as their trials, so I think Shannon may have made herself a harder task than she could have, but ultimately did a good job. Like the last book, the climax was a soft one, and the Bone Season's was as well. That seems to be her MO. If you're looking for a dynamic, earth-shattering climax to wrap up some larger sized tomes, these book may not be for you.

There are a few less pages in this volume that the first one, but not by many. This book is a little thinner, and part of that thinness, unfortunately, is the thinness of the paper stock used to print it. The pages are a little too transparent for my taste. The text bleeds through. Its a small complaint, but given the size and length of this books, its was distracting too often for me. Maybe that's on the publisher, what do I know.

This was a fun read, and I will look for the next one when it comes out. This world Shannon has created has some staying power and I think the stories she can pull from it will also be fun.

 

 

priory of the orange tree

The last book I read, was also by Samantha Shannon, and I read it because I wasn't sure if The Priory of the Orange Tree was a follow up to her earlier works. That last book I read, The Bone Season, was the first in a series, but not this series. The Priory is actual the first in a new series, The Roots of Chaos Series, and I don't know how many volumes it will have. At least two; the second book in that series is what I'm reading now.

Shannon is still working in the fantasy realm here, but she created a whole new world to set this series in, and based on this first book, she's done a pretty good job. It seems clear from The Bone Season and now this book, that for Shannon, inclusivity and equality are fundamental. Its a good place to be, but how she's done it in this book is to bake it right into the world she's created. Its just normal, and anyone who feels differently is the outsider. Its an effective tool and reminds me a little of Ursula K. Le Guin.

You can tell by the cover art that there be dragons here, but Shannon has them with a different take. In the front matter, the book jacket, somewhere there is a note that the fictional lands of The Priory were inspired by legends from various parts of the world. or something like that Shannon has taken a kit of parts provided by various myths and legends around the world and reformed them into a massive crossover that forms the basis of her world building cultures, economies, magic, and religions. Its because they are familiar, that she can lean on them to help infill the backstory. The same technique is used for place names and personal names, which are similar to those cultures that inspire them, but different enough to set them apart. Western Dragons, with the wings and fire, are set against the Eastern Dragons, which slither through the air and and more water based.

This book is a beast at nearly 850 pages, and traverses the globe Shannon has created, following the stories of people from several different countries, who eventually learn that they probably need to work together to defeat an insurmountable common foe. I didn't love this book, but I did like it. Enough to go to the library and get the next installment, A Day of Fallen Night, which, so far at least (its another big one) is a prequel to The Priory.

bone season

The Bone Season is a novel by British writer Samantha Shannon, and it may be her first. I'm not sure. It is certainly the first in a series. According to Book Series in Order, its the first of 6 books in the series, and this one was published 10 years ago. I picked up my version at my local library after hear something about Samantha Shannon's current book, The Priory of the Orange Tree, which I'm reading now. it may be a while, that book is a monster

I don't have this book on hand to double check some of these things, as I've returned it to the library, but I'm under the impression that this is Shannon's first book because of the writing. It wasn't bad, there were just a few unresolved items that I think Shannon may have known the answers to but just didn't share with us. Perhaps these are loose ends that we be wrapped up in a later book in the series, but one in particular concerning a dead flower in a jar, is mentioned numerous times, and then we're left to wonder. I could guess. After all we're in this together, the author and me as a reader, but that seems like a heavy lift. not my job, man

I got about one third of the way through this book before I wondered (not for the last time) if this was going to be a vampire story and/or if this was going to be a Stockholm syndrome-type vampire love story. I'm happy to report that wasn't the case, and I hope that remains true in the rest of the series. I guess we'll see how the Priory book goes before I decide to dig further into Samantha Shannon's catalog of books.

There is some interesting world building here, which takes place in an alternate version of Earth, which shares a history with our own, albeit modified enough to allow for a dystopian future where Scion rules over the London of 30 years from now, and anyone found with any connection to the aether,* a condition better known as 'unnaturalness' is under threat of immediate arrest, presumably to protect the public.

Paige Mahoney, our hero, has a fair case of this unnaturalness, and rather than hide, as many in her position do, she joins a criminal underground, where she uses her connection to the aether and fight against the oppression of Scion. Mahoney ends up finding some interesting allies, and the story takes some weird turns when she is captured by Scion. Arresting folks with a connection to the aether IS in order to separate them from the public, but not because they're dangerous. The real reason they are separated is much worse.

 

* There are a number of old timey terms which have made there way back into the lexicon of this story. I guess because of the unnaturalness, and the need to have terms to describe its various facets. These old timey words are supplemented by a number of invented words for the same reason. Shannon has included a glossary in the back matter to clarify many of these terms.

patriots logo - round 2

Proposed New Patriot's Logo, click for larger view

A few years ago, I suggested that it was time for the Patriots to update their logo. They've had it for about half of the life of the franchise, prior to the current, flying Elvis design they had Pat the Patriot, a guy in a three point stance waiting to pounce. Pat lasted for the for about 30 years, and flying Elvis has been at it for another 30+ years. In a 2021 article, the folks at Upper Hand did a researched article which ranked the NFL logos good to bad, based on how people feel about them, using a series of metrics based on 7 different sports sites. They aggregated the data and the Patriots, I was not surprised to see, was ranked 28 out of 32 for their logo.

Graphically, the Patriots logo stinks, and people don't like it. There are others, who just love tradition and don't want to see things change. To those folks, I say this: Washington Commanders. their logo stinks too, by the way. this isn't college ball.

So what's wrong with the Pat's logo? It doesn't hold up. Part of the problem is the team name. Don't get me wrong, I'm not trying to change that, but the teams that are named after a "person," simply have a harder time, unless that person has some kind of strong visual iconography attached to it. The Vikings, for example, have a little something to work with. The Raiders? Nope. What does a raider look like? The Buccaneers? myeh, sort of a privateer, which a semi-legal pirate, from the Caribbean, so... Florida Pirate-y? The 49ers? What, I guy with a shovel?

Updated Version of my 2019 Logo

 

And the Patriots: A patriotic person, of the New England variety. So a guy in a tricorn hat? Again, not a lot of helpful iconography. So my thought, in 2019, was to take inspiration from the Flying Elvis logo, which includes some red stripes or ribbons trailing from his tricorn, and the white star on his blue hat, which obviously represent the stripes on the flag, and boil that down to try and eliminate the person represented by the Patriot. I came up with something similar to this, which I have since tweaked to eliminate the odd shape I had in blue. Its much more flag, or pennant-like. But maybe too much so, and maybe too close to what the Pats currently have.

 

Proposed Patriot's Logo on a Blue Background

That's where I started, and after looking at the logos that did best according to the Upper Hand research, I decided to simplify further, and go with the letters NE for New England, similar to what San Francisco, Green Bay, and even Kansas City did, AND still use the flag iconography that's built into the current logo, and the Patriot name. I used some curves to graphically express forward motion, and to recall the shapes of a football. I ran the white stripes through the letter forms to accentuate the action, and they recall gridiron lines on the field. I used a variation of the wordmark I came up with in 2019, but I removed the additional blue outline from the star as it was too similar to the Cowboys Lone Star logo. Its bold, recognizable, and easy to stitch on a hat.

On White Background with Wordmark

return to nerax - 2023

George Gendron

2016 was the last time I went to NERAX, the New England Real Ale Exhibition, 7 years ago.* That visit was actually to NERAX North, and I went with my newly minted 21 year old. This time, it was with both of my kids, at the NERAX's new home at the South Boston Lithuanian Club. We attended the Saturday evening session, and its a fun time to go, not as crowded as the Saturday daytime or the Friday evening sessions, but the casks do start to kick pretty quickly, and there were many options we didn't get a chance to try. I say that, but I've only ever tried 5 or 6 each time I go, there are just too many options.

A quick word about this year's program cover photo. I got a kick out of telling my kids about how much fun it was to see so many familiar faces of the volunteers, staff, and founders at the event. I was able to point out the woman who was tickled to see that my oldest had just turned 21 last time, reminisced a little about her own youth and then gave Alessia a few drink passes! What a sweetheart. One who I didn't see last night was George Gendron, one of the founders of NERAX, and the man on the program cover. George passed away a few years ago and is fondly remembered in a tribute within program. Thanks to George for all he's done for this great festival!

This year's exhibition dates were moved at the last minute due to some kind of scheduling problem, but we were informed in plenty of time, and our advance tickets were transferred over with no problems. However, that did mean that there were no food vendors this year at the exhibition, as they couldn't accommodate the late change in their schedules. We ended up bring a small box of snacks, which is typically not allowed. Thanks to the NERAX folks for allowing this, having a little food is great. As I normally do, I sampled quarter pints so that I'd have the opportunity to try a few things, and to be honest, I focused on the imports, given that my opportunities to try some of those ales without traveling is probably limited. All but one of the beers I sampled was from the UK.

There were close to 100 ales available this year

Dark Fruits Porter - Salem Brew Co., Wainfleet All Saints, England (ABV 4.4%) **

The first two beers I asked for were already kicked before the Saturday evening session started. The Dark Fruits Porter was my third choice, and it almost wasn't to be. They were able to get a quarter pint for me, and then maybe only one or two more before the cask kicked and the Reaper came out to erase it off the board, accompanied by a death knell, rung out on an empty keg. Bright black cherry on the nose, with notes of lemon lollipops. Dark, nut brown with a browned-butter colored, lacy head. Thin bodied, fruity and super smooth. There is a snappy brightness at first, smouldering to a soft, lasting bitterness. Reminded me of jam on toast!

Cross Borders Session Pale - Cold Black Label, Bridgend, Wales (ABV 4.2%) ***

Pale honey colored, with a light and wispy cream colored head. Citrusy fruit salad on the nose, which delivered in the initial taste. Full mouth flavor with a bready, sourdough finish and smooth mouth feel.

Beach Hut - Leigh On Sea Brewery, Leigh On Sea, Essex, England (ABV 4.5%)

Dried grass yellow with a frosty looking haze with a thin, wispy head like cirrus clouds and a fine ring of white foam at the glass edge. Slight funk with fruit juice on the nose, and notes of pineapple. Finely texture, creamy mouth feel, tropical fruits, and a dry, wheat cracker bitter finish. I like this one very much, and the next one I went for was from the same brewery.

Legra Pale - Leigh On Sea Brewery, Leigh On Sea, Essex, England (ABV 3.8%)

Blazing bright, warm yellow color with a fine bubbly, tatted top. Huge, juicy start. Clean, grapefruit pith astringency, and a crisp dry finish. I bragged about this one, and made a note that this would be a perfect house beer. Super drinkable and refreshing, with a low ABV so you could have a few throughout the day. Would be great for a winter party or a summer barbecue.

Sweet Stout - Well Drawn Brewing Co., Bedwas, Caerphilly, Wales (ABV 5.0%) ****

Deep brown-black that let no light pass with a caramel colored, bubbly froth. Brown bread and molasses on the nose. [All of the beers I've had so far are thin! This one too.] Rich dried fruits flavor. Prunes, maybe? Cherry cordial filled chocolate, like a Bon Ami. After after, slightly under ripe pears, with the skins still on. Long, creamy finish. There was a lot going on with this one. Dessert beer at its best.

Ishmael Ale - Rising Tide Brewery, Portland, Maine, USA (ABV 4.9%)

Call me Ishmael. The tasting notes indicate that this beer is a collaboration with New England Distillery Co. They rested the beer in American oak barrels, which had been used for a rye whisky, that was distilled from one of Rising Tide's rye based pale ales. Rich amber brown with a delicate head. Sweet, malty tones on the nose. Citrus juicy with red wine tannin and sweetness which evaporates to a dry, orange amaro bitterness. Sweet, clean burnt sugar finish. The whiskey aromas dance over the glass and on the palate. This was a great way to finish up for the evening!

 

Stefan & Alessia sampling the wares

* The first time I went to NERAX was in 2010. I just took a quick look at that post, from 13 years ago, and I was pleasantly surprised to see that I paid $15 to get in, and $5 glass deposit. Exactly the same as we paid last night! The quarter pint sample were pretty close to the same price to, if not the same. I didn't record that in 2010. What that means is that the sponsors of NERAX are stepping up to keep this longest running real ale exhibition in North America affordable for all of us.

** I think the tasting notes on this one may need some clarification. I found the Dark Fruits Porter by George Bateman and Son Ltd, Salem Bridge Brewery, Wainfleet, Lincolnshire. I think Salem Brew Co. is a subsidiary, or a brand/trade mark owned by Bateman. Bateman had their XXXB on tap for the festival as well.

*** Cold Black Label also appears to be the mother company to at least two beer labels: Brecon and Lithic. Brecon had their own three offerings, so perhaps this was a special cask for the festival. Note: Brecon's website just has a beautiful mountain scene splash page and no content, which you can find thru Cold Black Label's site.

**** Well Drawn doesn't seem to have their own website, altho I found some links to a facebook page, and a listing on Untappd, which actually includes some comments about their NERAX offering this year.