Sunday, September 26, 2021

knife

Harry Hole is a recurring character in a series of books written by Jo Nesbø, a Norwegian writer, and there have been a bunch of them. Knife was published in 2019, and translated into English by Neil Smith the same year, which is what I read. I'm pretty sure I've read at least one other Jo Nesbø book, and I'm also pretty sure it was a Harry Hole story, but I guess I didn't write about it here on the blog. Maybe it was during that blackout period in the latter part of 2019 and a large portion of 2020. looking at the Harry Hole list, it may have been The Devil's Star, I'm not sure

Knife is a murder mystery, and Harry Hole isn't approaching this the way he normally would, I assume, as a detective with the Oslo Police Department, as he doesn't have the resources of the department to back him up on this one.

The story arc is varied and kept me guessing as the story progressed, always with a nagging concern in the background about this one would end up. Nesbø has done a fine job of knitting together a fine story in the tradition of Hercule Poirot and other old timey mysteries where there are many possibilities, and one is not sure until the very end who may have done it.

Tuesday, September 21, 2021

ship breaker

I've had a few books tucked away in my public library account read list; Ship Breaker, a young adult novel by Paolo Bacigalupi, is not one of them. Drowned Cities by the same author is, but it wasn't until after I read that one that I discovered that its part of a series, and this current read is the first in that series. Good news is, it doesn't seem to matter much in what order these were read, at least that is my impression after reading two of the three in the series.

Ship Breaker definitely takes place in the same dystopian future Earth as the The Drowned Cities, after what I assume is run away global warming has led to massive ocean level rise and the breakdown of organized governments in favor of a few massive corporations and the rest of humanity living hand-to-mouth in a kind of Mad Max lawlessness, which pockets of semi-civilized population centers that are just mentioned as remote and inaccessible to the poor protagonists that inhabit this series.

One of the characters from The Drowned Cities features in this story as well, so I predict that it may be that character that ties these stories together. I guess we'll see. The third in the series is called Tool of War so I've made my bet already and I'm feeling pretty good about the odds.

Saturday, September 18, 2021

thousand autumns

I put the novel The Thousand Autumns of Jacob de Zoet on my read list because of other books I've read by the author David Mitchell. Mitchell writes on that wobbly line between--or maybe its the smeary overlap in the Venn diagram--of science fiction, speculative fiction, and fantasy. Maybe David Mitchell would hate that description, I don't know. I guess he could describe it better himself, and perhaps has, elsewhere. What I do know is that Mitchell seems to have a fascination with time, and how we, as humans (and perhaps other human-adjacent creatures) move through it.

This novel seems to fall more squarely into the historical fiction genre, but I wasn't too far in before I began to get a sense of time as a character in this story. de Zoet is a carefully told story, of Europeans in c. 1800 Japan, where they were not welcome, and were mostly segregated from the populace to prevent European influence in the general culture. The pacing of the story recalls that attachment to history, tradition, and sameness the leaders of Japan held dear tat the time. Jacob de Zoet himself is a classic reluctant hero, in the form of a mid-level clerk who see himself as an uphold of what is righteous and true, which is mostly expressed in his manners and dignity, until he is called upon to uphold those ideals in a more taxing sense.

Mitchell thumbs his nose at the demand for fast paced, action drama and paints a picture of 'modern' Europeans, doing their best to take advantage of the closed Japanese culture, while the Japanese did the same from their point of view, all the while both looking at the other as the barbarian. Mitchell uses this backdrop to explore the relationships between the very few people on either side of this cultural divide who saw one another as human, with similar feelings, thoughts, and goals, and who reached across this divide toward one another, while early geopolitics tried to hold them back.

There is a whole chapter where Mitchell gives himself up to the poetry of what he is doing. Its like a treasure or a hidden message for us in the midst of of this love letter to an earlier time, which tries to express how different we are, and how much the same.