book that broke the world

The Book that Broke the World is book 2 in the Library Trilogy by Mark Lawrence. I mentioned that I was reading this in my review of the first book, but then forgot to write about it. That was a month or so ago,* but I actually purchased this book at a used book sale so I have it, and could give it a flip through to remind myself about it.

This books helps to explain what exactly is up with this book that is so dangerous has done, and how its doing it. Maybe I read over that part too quickly, but I'm not sure I got the explanation in the kind of detail I was looking for. I understand that this universe Lawrence has created is different, and has different rules, but as a reader, I don't understand those rules unless you explain them to me, and I'm not sure I left this one completely satisfied. 

I also think (if I remember correctly) that I was hopeful that the third installment would provide that clarification I was looking for. Now that I've read book 3 as well, I can confirm that this book was Lawrence's opportunity to explain it to me, and I don't think I got it.

This was a fin book in any case, and I certainly didn't give up on the series because of my confusion. Would I have if I'd known that the third book wouldn't provide the full answer to my niggling question? I don't think so. Maybe I'm not the only one?

 

* Okay, its more than a month ago now, I just found this when I opened this to get caught up. I've also finished the 3rd book in this series, as well. 

 

 

dark mirror

I may have cried about this before, but I normally like to wait until all the books are out in a series before digging into it. I've been burned a few times yeah, George R. R. Martin, I'm looking at you When I started to read the Bone Season, I was under the impression it was a 3 book series. It wasn't until a few books in did I realize there were 7, and then only recently, did I learn that the other two books out there in this series were NOT part of the series, but addenda, and short stories--outtakes that were cut from the main books is my guess--and that I need to wait for tow more to come! Yeah, that's right, altho started back in 2013 or something, the sixth book is due out next year and then the seventh... at some point after that. Assuming there isn't an eighth, or whatever.

She even took a break to crack out another series, which was pretty good!

Book 5 is called The Dark Mirror, and in the preface, Shannon points out that after working on this series for close on 15 years, starting when she was pretty young, she's found that some of the earlier things she wrote either don't hold up or have become problematic as the story arc, the characters, or maybe both, have evolved, so she has released revised, and updated versions. The preface includes a link to her site where you can go read a summary of the changes, or find links to the updated texts.*

This was an interesting installment, and includes both new things, as well as the return to some older things. Fans of the series will likely enjoy this book, is my prediction, and I thought that it was pretty well put together. When it started up, I wasn't sure where we were going, but Shannon has crafted a way to maintain the tension and the action, and keep it interesting enough to make us look forward to the next volume. Do I think it would have been possible to tell this story in less than 7 volumes? Sure, but Shannon has created some likeable characters and an interesting alternate universe for them to inhabit so I can see hardcore fans looking forward to as many volumes as they can get. I recall hearing that Tolkien said that his only regret about The Lord of the Rings, was that it was too short. I also think that if he had lived longer, we probably would have seen more from him. So on a related note, lets hope George of the familiar R.R. moniker, doesn't kick it before he gets done what he'd like to.

This was a fun one. 

 

* If you haven't read the books, the Revision Guide Shannon has put together, linked above, may have spoilers. 

 

 

book that wouldn't burn

Yes, I've changed gears. After learning that Samantha Shannon has book 6 of her Bone Season series due out next year, and who knows when book 7 will be out (or if there will be more!) I decided to swap over to Mark Lawrence's Library Trilogy. I bought book 2 at some point at a used book sale, and didn't realize it was the second in a trilogy until I got home and cracked it open to read. So I borrowed book 1 from the library; The Book that Wouldn't Burn. I haven't read any of Mark Lawrence's stuff before and this was pretty good. The story arc is built around a library, that in the point of this story, seems to have been developed thousands of years ago, but a much more advanced society than the current one, but the reasons for that may be that the culture the present story takes place in is either new to the library or is possibly a newer culture that is developing after some post-apocalyptic event, or something. Its a little vague, but I wouldn't tell you what it was here in any case as I try to avoid spoilers.

The library itself reminds me a little of the library in Asimov's Foundation Series, but only in its abstract, font of all knowledge, people in service of the library vibe that story gave me, at least as far as I can recall. its been a while!

I actually finished this a few days ago, and I've been working on book 2. Its a smaller volume, so I don't think it will take me too long before I go grab book 3 from the library. I guess this probably fits into the fantasy genre, but there are also SciFi aspects to it as well, and it also reads a little like historical fiction, but that may be because the culture in which this takes place is slowly transitioning from edged weapons to firearms, and the customs, dress, architecture, societal norms, nobility etc. seem to reflect a historical era.

The writing is pretty tight, and there are some interesting twists and loops that creep in that I wasn't expecting, and some others I could see coming, but I think I could see them because Lawrence wanted me to. 

mask falling

Paige Mahoney is at it again. The Mask Falling is the 4th book in the 7-book Bone Season series by Samantha Shannon. In the dedication, Shannon notes that this is the middle book. I guess I didn't realize how many there were when I started, as I've probably mentioned in the past. The 6th book has been announced, and just recently revealed it's cover art on Shannon's website. That book is due out early next year. The 7th book? Who knows. And will Shannon decide that she needs an 8th to really wrap things up? I know, sorry, but... maybe. it's like, art, and stuff

Paige Mahoney is, of course, the main protagonist in this series, and you just can't keep a good woman down. After making serious and significant inroads on the UK battlefront, Mahoney has decamped to Paris for the majority of this installment. Many of the same characters we met in the first 3 books still appear, but many for only short periods, or mentions, as they are still in England. This book does take the overall story arc onto a more global stage, with implications mentioned for Portugal and Spain as well, altho we don't visit those places. Perhaps a foreshadowing of some future book's setting?

The series framework is a kind of sawtooth shaped story arc or increasing tragedy, conflict, or obstacle,  which ratchets up the tension, and when resolved drops the anxiety back down again for a beat, before the next thing comes along that needs to be overcome. The seem to come pretty regularly (hence the sawtooth analogy) in large part because the Mahoney character runs toward trouble rather than away. Its in her DNA to fight injustice and oppression and putting herself in harms way not only comes naturally, but appears to be her preferred modus operandi. i'll just let it eat me, and cut my way out from the inside *

So would I recommend that you read this series? Its not really SciFi, and its not Swords & Sorcery. Magical Realism? Is that even a thing? Maybe just call it Speculative Fiction. If you like that kind of thing, with some clairvoyance and some rebels-against-the-evil-empire action then you'll probably enjoy this series. You could wait until she's done, so you don't have to hang around waiting for the next installment, but some folks like that, so, you do you!

 

* That's not an actual quote from this book, but a trope we've all seen a number of times. I just read the exact thing in the book I'm reading right now. Which is NOT, by the way, the next book in this series.

 

 

 

song rising

The Song Rising is the third book in the Bone Season series by Samantha Shannon, which I am currently cracking through. However, as I said in my last post--written when I was about halfway thru this book--it looks like there is another volume coming next year. Maybe that's it, or...

I read the American hardcover, from my local library, and it appears that the English versions may have different cover art. Who knows why that happens, but I assume its because the American affiliate of the British publisher thinks that a different cover may do better in the US? Not sure, but I don't think this cover is it, chief. If you click on the image you can get a better look at it. or click on the annotated detail below for even more complainin' It looks to me like they've either assumed that because this series sells so well that they don't need to try all that hard--and if that was the case, why not just go with the UK cover art? Okay maybe there is a rights thing or agreement that obligates the cover art to be different. Or, maybe because sales are good, whoever was in charge gave it to their teen (tween?) who is really, like, talented in art class? I mean, look at the flames... yeah, click right in there and take a look.  They just wiggled the stylus around on their iPad. And the reflections on the crown? A crown that doesn't look anything like any crown described in the books, by the way. What? Is that the only reflective spot on this shinny metal object, and are those little bits of flame skipping across the front of the image too, or are those rust stains on a domed glass cover over the center part? What's that for? Jacket Design David Mann, images from Shutterstock, by the way. yes, i'm looking at you And why, you may ask, have I written an entire, long and rambling paragraph about the cover art? Simple: because it stinks. Its embarrassing. Do better Bloomsbury USA.

This book is shorter than the first two at 363 pages (including the backmatter*) so I worked through it pretty quickly, and just before I sat down to write this review, I checked at the library to see if they had the next volume, The Mask Falling, on the shelf, and they do, so I'll probably pick that up today. The Song Rising was pretty good, but perhaps not as good as the first two. It definitely moved the story forward, and there are a few good moments, but it did feel a bit like a connection between the beginning of the story and the end, if you know what I mean.

It didn't suck, or I wouldn't be going to get get book 4 later today**, but not great either. What did suck?The cover. Did I mention that? Look at it!

 

Maybe its fan art of the One Ring put together with clip art of a crown. Jacket designer is listed, but no artist is named, hmm. Is this an AI image? I can't get over it. They used Shutterstock; just do a search on Shutterstock for 'flaming ring' and you get a hundred images*** that look better than this.

 

* Backmatter includes a glossary and acknowledgments.  The frontmatter includes some maps, a listing of the Mime Order, and a prelude.

** Update: I started this yesterday, on Saturday, and didn't make it to the library. Today is Sunday and by the time I finished what I was doing, the library is closed again, so maybe tomorrow. 

*** My search turned up 47,000+ images, and most of the images on the first page were better that what they did here. 

**** Yes, I know that a double asterisk is as far as you're supposed to go when using typographic symbols for footnotes. Depending on who you ask, you could go to a double asterisk before changing symbols.† Here is the list of what seems like the commonly accepted order:

Asterisk (*) - Shift-8 

Double asterisk (**) - Shift-88 

Dagger (†) - Option-T on Mac

Double dagger (‡) - Option-Shift-7 on Mac

Section mark (§) - Option-6 on Mac

Parallels (||) - Shift-Backslash-Backslash

Octothorpe (#) - Shift-3

Pilcrow (¶) - Option-7 on Mac

 

† The UN actually allows up to fours asterisks, and then they follow with dagger (or Obelisk), double dagger (or Diesis) and Section mark (or Silcrow). That's it. Their standard is no more than seven footnotes using symbols, if you have more than seven footnotes, you should be using numbers.

 

 

 

 

 

 

 

mime order

The Mime Order is the second book in what Samantha Shannon refers to as a 7-book series known as the Bone Season series, after the first book. Two of the installments are novellas, which sound like they may or may not be critical to the overall story arc. My guess, based on nothing other than what I know--and that is limited to their titles and the fact that they’re novellas--is that they are based on background material Shannon prepared in the writing of the main books in the series.* Here’s my thought process: The Bone Season is Shannon’s first book, and it sounds like she is self-taught, and has been writing since adolescence. So, her editor gets ahold of The Bone Season draft and says, hey (I speculate, wildly) what’s all this exposé about the main character? Let's cut all this out. Then, said editor runs across all this background material that Shannon has stuffed in between the chapters which is presumably a pamphlet written by a supporting character, and says, hey (again) let's cut all this out.

Those cuttings are the raw material spun up into the two novellas. How’d I do? Maybe Samantha Shannon will read this and respond… that was me waiting.

Book two picks up after the events of the first book, but the end of the first one wasn’t so much of a cliffhanger, as the end of this one is. When I got to end of this one, I logged on to my local library and put a hold on the third book. I mean, come on, it was like, her hair was on fire and 14 people in the room had just pulled knives and started to run and then…

Tune in next week for another excited episode of…

Shannon’s work is fun to read. After reading The Bone Season a while ago, I also read some of her other stuff, so I had a pretty good feeling that going back to this series was going to work out okay. So far so good. As I write this, I’m almost halfway through book three; The Song Rising. Shannon has created an interesting alternate universe in a future London, which connects to another dimension (?) called the aether which is also where spirits of the dead go, and the folks that can connect to the aether are, as you might expect, called clairvoyants. But the aether has inhabitants of its own, and what are they exactly?

Love, anger, oppression, rebellion, friendship, justice, solitary, prejudice, class warfare, and communing with spirits (and other things) is all mixed up in this fast moving, and action-forward series. I get the feeling that when I’m getting close on the one I'm reading now, I’ll be reserving the next one at the library too. If and when I do, I’ll let all six of you know.

 

* So if you looked up the link above on the Main Series of books on Shannon's website, you may find that there is a placeholder for another book called The Moth Reborn, which is due next year. So I guess that makes it 8-books... Nope, wait, there is another novella on her website called The Dawn Chorus, so 9? But wait, the other book** I talked about coming from background material isn't listed on her site, so maybe we're back down to 7, or I guess 8 with the upcoming book? yeah, I'm confused too

** The other 'novella' from background material isn't a novella, its a 50 page pamphlet called On the Merits of Unnaturalness. My thoughts about its origins hold however, and I guess I'll add The Dawn Chorus novella mentioned immediately above to that group of edited out material, altho that novella fits between The Song Rising (reading now) and the next book, The Mask Falling.

 

 

eisenhorn: the omnibus

This book is not one I would have picked out for myself--this was a Christmas gift this year (thanks Jacob!)--but I ended up enjoying it even more that I expected. I don't know anything about Warhammer or how its different from warcraft but I assume Gregor Eisenhorn is a character from the video game,* and Dan Abnett has written these stories about him under contract with the Warhammer folks. The frontmatter and backmatter in this paperback talk about a bunch of other stories in the 'Black Library', which is a series of stories from different writers about characters and storylines from Warhammer.

Because the Warhammer universe is so far into the future, mankind has moved out into the galaxy (maybe beyond? don't know, nerds) so that men now live on thousands of planets, and have done for thousands of years. This, I think, makes for a ripe backdrop for story telling given that these worlds now all have their own histories, cultures, flora and fauna, that influence the people that live there. While some planets are more centralized, and their cultures more homogeneous, more distance or isolated planets diverge more from the centralized culture and norms of the empire.

The stories in this book are all that have been written by Dan Abnett about this character, and they are arranged chronologically and so we can follow Eisenhorn's character development, along with those of his team members, throughout their long (and sometimes short) careers. I do love SciFi, but again, this isn't something I would have chosen for myself, however, I did find myself stealing extra moments to read a little longer, or forgoing other things in order to read another chapter. The stories range from novels (there are a few novel length stories) and some short stories of varying lengths (magazine article length, to novellas). Its a big boy; Eisenhorn: The Omnibus is nearly a thousand pages, but it didn't take too long for me to read. 

I especially liked how Abnett describes the dress, food, drink, or technology of a scene in detail (sometimes including the ingredients of a dish, for example) and then names off the bits that make up whatever he is describing using series of made-up words and phrases that can only be understood by their context, and gives no further definitions or descriptions. I think this needs to be done carefully so as not to overwhelm the reader with SciFi speak, and Abnett does a good job threading that needle.

 

* Sorry nerds, Warhammer is apparently not a video game (maybe Warcraft is?) Apparently its a fantasy combat board game played with miniatures and its been around since the early 80s. 

 

 

 

hail mary

Andy Weir, of The Martian fame, has revisited those roots for Project Hail Mary. The protagonist, Ryland Grace, has many of the same traits as the astronaut, Mark Watney in The Martian: he's a scientist at heart, and because of his love of science, he believes in the scientific method and its ability to solve problems. And man, are there problems. Weir's infectious love of science is clearly the seed planted in both of these characters, and his ability to use it to drive a story is what makes his stories stand out. 

What I read years ago, is that hard science fiction, relied on the futuristic technologies to support the story line, whereas soft sci-fi are more character driven stories, and the future and its technologies are more of a setting, which may help to enable the character stories in ways that may not be possible with our current understanding of science and technology. Weir is, by contrast, writing science fiction built on known science and technologies. Not as much in this book, as The Martian, however. Things get pretty wild in this one, but Weir's Ryland Grace uses the scientific method to understand and adapt these newer technologies and materials to solve problems.

What these two stories have in common then, are that they are both like complicated puzzle rooms, that if not solved will kill you. In The Martian, the astronaut had to continuously solve problems, using science and logic, to prevent his instant death. If only to increase the chances that he might ultimately survive. Project Hail Mary steps it up a notch. Not only does Ryland Grace have to work to stay alive, he simultaneously needs to solve a larger puzzle, which has all of humanity on the line. So this one steps further into that hard sci-fi sub-genre.

Weir uses an interesting plot structure that relies on flashbacks which Ryland Grace can't make sense of at first, as he recovers from memory loss. Memory loss which also hampers his ability to problem solve in some ways, at a time when its obviously critically needed.

According to the interwebs buzz, this book has been optioned for a movie, and we may actually see that in the next year or two. Based on my reading, its seems like a good candidate for a movie. This is Weir's third novel (that I'm aware of.) His second, Artemis was good too. You can read my review of that book here.

Read this book. Especially if you liked his other novels.

This review is for a book I read a while ago, and I'm trying to catch-up on the pile of books I read in 2024 that I didn't write about. You can see that hole in my blog entries listed on The Books tab at the top of the page.

utopia avenue

I'm a fan of David Mitchell and his surrealistic, fantastical worlds--which in some ways, all seem to be related to one another--that flow beneath our own world, occasionally rising to the surface, to turn and twist into our reality. Cloud Atlas is what turned me, and probably many others, on to Mitchell's writing. Cloud Atlas is a series of stories strung out on a very long timeline, but nevertheless are woven together. In Cloud Atlas, we see inklings of how not just these stories, but perhaps all stories are connected, often by much less than seven degrees of separation.*

Utopia Avenue takes its title from a fictional 1960s psychedelic rock band from England, that makes a small splash in the rock world of the time, releasing just two albums, and rubbing elbows with a whole cast of rock legends, who are written in as supporting characters, that interact with, and in some cases support and advise, members of the band and their manager, during their short tour of the United States. 

Mitchell has gone out of his way to create a rock band and a manager that defies the typical rock genre novel; all of the band members seem to get a long, and their manager isn't trying to screw them. Its amazing to a read a story about a rock band without these tropes, if only that in their absence, the writer needs something else to build narrative tension with. Mitchell does that by giving us a story about the very human interactions between the band members, their manager, and those they encounter in their initial struggles, rise to fame, and somewhat abrupt exit from fame and renown, which Mitchell uses cleverly to give us the impression that Utopia Avenue was so short lived, and with just a few hit songs, that they could have actually been there, and we just missed them or perhaps forgotten them in the decades since.

This one was probably more based in reality, with less dips below the surface, than some of Mitchell's other works, which some have compared to Black Swan Green, on the reality to fantastical scale. There were clear references to other stories however, including the connection between the tour de force lead guitarist Jasper de Zoet and his ancestor Jacob de Zoet, from The Thousand Autumns of Jacob de Zoet. But that isn't all, there were a few other things I noticed that I won't get into here.** If you are interested in these connections (which may contain spoilers) the supergeeks over at Wikipedia have a whole list of interconnections to other stories identified. †

This is a review of a book I read earlier in 2024 when I wasn't doing a great job keeping up with the blog. These impressions are from early in January 2025, so its been some time since I've read this book, but I wanted to get it down before I forgot. You can see a list of the books I read, including those from last year that I haven't written about in The Books tab at the top of the page.

* When I originally read Cloud Atlas, I hadn't seen the movie, and looking back at my review of the book, I couldn't imagine how you'd make a movie given the story's complexity, but they pulled it off. The movie, which I eventually saw was pretty good, but not nearly as complex as the book.

** Some of the things I noticed while reading were not conscience connections. Just niggling feelings that there is something there that relates to something else I've read or encountered before. That, in my opinion, can be even more fun; knowing that something you've just read is somehow tied to something else, but without know exactly what it is. It could be another Mitchell book, or perhaps something else...

† The other thing you'll find on the wiki page is a list of Mitchell's short stories, published in various periodicals, and some of them include links. I just read "Muggins Here" on the Guardian website, and that too, has connections to Mitchell's other works. Those connections were put down in this Reddit thread by someone with the handle FormalDinner7.

space between worlds

I'm pretty sure this book came from the book sale at my local library. It didn't seem like anyone had even opened it when I picked it up (for a dollar or two!) so I assume it was a gift or something. you missed out, bro! Micaiah Johnson is a young author from the desert west, and The Space Between Worlds is her first book, from 2020. She has a new one out now, which is called Those Beyond the Wall.

Sci Fi is one of my go-tos but I don't often get the chance to read something new and great, and this was both. Johnson has created an alternative world, which may be in our future, or it may be in an alternate universe, very similar to ours. And we aren't alone. Johnson's protagonist, Cara, is a bridge between the world of poverty and oppression she was born into, and the shining white city on a hill where she is currently employed. She is also the bridge between the infinite worlds of the multiverse, playing the various versions of people and places that exist in each, but only tuned to a different frequency, Cara finds that she can learn from, borrow from, and interact with different versions of the people she knows, weaving their frequencies together in a song only she can hear, discordant though it may be.

There is also conflict within Cara, between the two parts of herself that struggle with wanting to be true to her roots in poverty, while striving to become accepted in the city she works in. To complicate her struggle, their are people she loves in both worlds, people she both wants to be with, and not disappoint.

The interplay and layers of realities and relationships, and how Cara finds her way between and around them, is what makes this story work so well. Classicism and prejudice are more ingrained, more ineradicable, in this world. And because that is so, its all the more grating and ruinous. The peoples that populate this world take it for granted; its a given, and that starkness is both an unflattering mirror of our own world, and heartbreaking in its despair. 

Johnson has created a world that is both hard to look at, and too beautiful to ignore, peopled by characters with similar qualities. I enjoyed this all the way through. Good for you Micaiah Johnson. 

Read this book.

path of vengeance

Star Wars: The High Republic: Path of Vengeance is a novel published by Disney Lucasfilm Press, so is is a novel or is it film related merchandise? I'm not sure, but it does seem clear that the author is likely working for the publisher, or is (was) under contract to produce this novel. Why do I say that? Well, if this author decided to write this on their own and just submitted it to Disney in hopes that they'd publish it, then this is fan fiction, and if this was an assignment that Disney gave to them then its merchandise, right? At least it is first and foremost; in my mind anyway.

Why is that important? For the same reason that when you pick up a book in the bookstore that has Tom Clancy or James Patterson's name on it. Those people aren't writing the stories, someone else is. Who? Somebody, but you'll probably have to dig a little to find their name. you can find your own links, I'm not going there

So what is the difference between an author who has been published in their own right, and an author who works for a corporation like Disney or James Patterson? Well, I don't think these companies are author mills, but the focus does appear to be more on cranking out the material (merch) rather than publishing the highest quality novels they can.

Long introduction (rant?) concluded. That said, here's where I am on Path of Vengeance and its author, Cavan Scott: The story was interesting, the writing isn't that great. 

I looked up Cavan Scott, who seems to be a good comic artist, and many comic artists are talented story tellers. Scott seems to have come up with a pretty good story, and it also seems like he originally started with Disney doing comics for them, and then started writing for them more recently. When you take a look at his work, it seems mostly to be comics. The writing isn't awful, its just a little flat, and has way too many clichés and idioms. Clichés aren't the worse things, but when you're writing about people living in a galaxy far, far away, its just unlikely that they are going to say things like we do, and that takes us out of the narrative. It lifts the veil. see what I did there? It disturbs our need to suspend disbelief while reading fiction. Here are some examples from the first few pages:

"the skin of her... teeth" p. 4 

"his nose had... been put out of joint" p. 8

They're pretty regular all the way through, and even the similes pull the reader out of the galaxy where the story takes place. Like the slur about Evereni being "sharks" or describing a creature that "ran on four legs like a lion." I assume they don't have sharks and lions in their galaxy. Its just the easy way out.

One cliché I couldn't find when writing this entry was something like 'lit up like a Light Festival bough.' That's just a lit up like a Christmas tree, with a few words changed. Try harder, bro.

Am I a snob? Maybe, but I probably won't go looking for more of these books. This one was a gift, and I'm very grateful. The story was fun, and it was interesting to look back at the Star Wars universe at a time when the republic was at peace, and things were good. This era seems ripe for stories, shows and movies, as well as books and comics. I just think the production value should be there regardless of the medium.

Here's an interview with Cavan Scott and 4 other authors working for Disney on these books and comics.

punch the future in the dick

Zoey Punches the Future in the Dick* is the second novel in the Zoey Ashe series by Jason "David Wong" Pargin. The first installment was good; I bragged about it to people like I wrote it myself, and at least one person went out and got a copy, and they enjoyed it too. The second installment was good, but perhaps not as good at the first. A lot of what was new in the first one, things I hadn't read about before, and what made the future that Zoey Ashe inhabits so interesting, are repeated in volume two. Mostly by necessity. 

I don't mind that so much, its what we expect when we read a sequel, but what the first one had in adventure, and character development, was lacking here. There are some new characters, but we don't learn too much new about the character's we met in book one, except a few scraps. So I guess this was a sequel, but it felt a little it like a Zoey Ashe adventure, rather than a stand alone novel. It was good, it just wasn't great.

This book, like the first, was published under Jason Pargin's pen name, 'David Wong.' Why? I don't know, but a lot of his previous books were published using the David Wong name as well. More recently, he's been using hi real name. When doing a little research for this blog entry, I found that he has written another book in the Zoey Ashe series, called Zoey is Too Drunk for This Dystopia, which just came out this year, and also has his real name on the cover. Not only that, but newer printings of his older books have revised cover art featuring Pargin's real name as well.

I thought this book was good, as I said, and will probably pick up book three at the library at some point. If and when I do, I'll try and write about it here. I will also say, as I did in my review of the first book, these stories have movie potential.

* I don't think its a spoiler to report that the future's reproductive organs we not actually harmed at any point in this novel; for those of you who may have been worried.

sea of tranquility

Sea of Tranquility was on the New York Times Bestseller List, according to the cover of this paperback I picked up at my library's book sale while waiting for my shot at the second book in a trilogy I just started. That's not why I bought it, it was because the blurb on the back cover made this one sound like a wild romp with some Cloud Atlas vibes.

It was, but not AS out there as Cloud Atlas.

Emily St. John Mandel tells a pretty good tale. She probably best known as the author of Station Eleven, which they apparently made a mini-series out of over at the HBO Max, which, in case it isn't obvious, I haven't seen. St. John Mandel is also the author of The Glass Hotel, a blurb of which is included in the backmatter of this book, and if i understand that paragraph correctly, that book may include some of the same characters as this one. Another reminder of David Mitchell.

And I just needed to read the first line of this book to know that St. John Mandel is a funny woman.

Sea of Tranquility did nod in the David Mitchell direction, for me, but the story line was completely original, albeit with some time traveling antics that I guess we've all seen before, but how they're woven together here was a treat. This was a good one, and I'll keep my eye out for books by Emily St. John Mandel.*

Read this book.

 

* Moments after publishing this post, I was cleaning up by closing browser tabs and read at the very top of Emily St. John Mandel's website, these words, "St. John is my middle name. The books go under M." I guess that's pretty clear, and apparently happens often enough that its the first line on her page. Mandel is a funny woman.

shift

Book 2 in the Silo Series by Hugh Howey is Shift. I just read the first in the series, called Wool. I didn't like this one as much as Wool, and I guess I'd call this a prequel, rather than the second in a series, but this is based on publish date rather than a series in the traditional sense. The last in the series is called Dust, and based on what I've read thus far, I'll read that one too. But if my library doesn't have it on the shelf, I won't be running out to buy it, if you get what I mean.

Maybe prequel is too grand for this book. I know right? is this review going to get worse bro? Shift is more like the back story an author prepares for his main book, and then goes back and fleshes it out to make into a book. I'm tempted to say, Silmarillion, I'm looking at you, but that's not right. Silmarillion is a series of stories and lore from the first age of middle earth, and while they help to inform the later stories, they also stand on their own. I'm not sure if Shift came out first, if anyone would have been interested enough to read Wool.

Maybe I'm coming down too hard. There were some interesting parts to Shift, but I'm not sure I needed as much text to tell me what I learned, and I'm also wondering how much more text it would have taken to tell me everything I wanted to know. Here's my less hard critique: Story is pretty good, but it needs some tightening. This book is a lot like me; it just needs to lose 10% of its body weight and it will be fine. The story is pretty grim, and unlike some other stories involving supervillains, Shift gives us a group of villains, who have some twisted views on how to make the world a better place (yep, been there, seen that) and enough power to institute their evil plans (okay, seen that too) but apparently not enough smarts and/or foresight to understand either the short-term, mid-term or long-term drawbacks in their ridiculous plan.

Its as if they all got together and talked about this big, crazy idea, and all the while everyone assumed that it was just them that not only thought this idea was crazy, but that everyone else must be smarter than them and knew better than they did. "Go along to get along" may be a useful tactic in some situations, but a worldwide mass extinction pact is not one of those situations.

wool

Wool is one of those books I had on a list somewhere, so that probably means I heard it was good at some point. Maybe Will told me about this one? Wool is the first book in a trilogy that I think is called the Silo Series by Hugh Howey. I don’t recall reading anything by Howey before but I’ll check here on the blog as I’m writing this sitting on a plane to Florida and I can’t check. [Just checked: nope]

Wool falls into the dystopian, soft sci fi box but it differs from a lot of the other stuff in that box in many ways. The premise is pretty original, at least in my experience, and the scope is very limited which I think helps the story because it’s so pared down.

The focus of the story seems to shift from where we thought we were when we first started reading, and then once we refocus, it shifts again. I think that helps to create empathy with the characters in the story as the story arc reveals more about this place, these people, and their situation.

Howey is able to build tension along the way while still keeping tight control of the narrative and how much we learn as we go.

There is intrigue, passion, righteousness, love, rebellion, murder, ingenuity, mystery, and a little taste of the horrifying.

I’ll be looking for the next books in this series. [Update: picked the next one up at the library. Its next.]

Read this book.

klara and the sun

I read one of Kazuo Ishiguro's novels a few years ago, and it just didn't kick it for me.

Klara and the Sun did. I didn't love this book, but at least I got it. The story is solid, and looks at a potential future we may all experience at some point when robotics and artificial intelligence get to the point that they make it into the home, in much the same way that personal computers, and the internet did. Its not clear to me that Artificial Friends or AFs as Ishiguro calls them will make the leap from page to reality in our homes as quickly as the PC or the interwebs, but I do think its out there as a possibility.

In the future that Ishiguro has created, all AFs are a little bit different. This is what I'd call soft SF, so he doesn't get into why exactly they're all different, but I'm under the impression that its due to their brains. Perhaps they're manufactured in some kind of self-assembling process, which allows for variations? In any case, Klara is different than her peers: she is more observant of the subtleties expressed in the humans she interacts with. She does however remain naive about many of the basic things around her, regardless of how long she spends in the world. There is also a mysterious observational quirk Klara experiences, often when she is in stressful situations, and whether that is just part of what differentiates her from other AFs or if its typical for AFs is also a mystery.

This book was interesting, and the interactions between humans and AFs was examined in interesting ways, that reminded me a little of my post on the emotional ties humans may eventually develop for robots as they take on these important, supportive rolls in our lives.

sirens of titan

1959.

That's when The Sirens of Titan by Kurt Vonnegut Jr was published. I read a paperback copy that I found on the (many!) shelves of the house we stayed in up in New Hampshire over the Independence Day weekend. This has become an annual trip with my family, and this year's foray was another success. I had never read this sci fi blast from the past, and it looked pretty good, and not all that long, so I took it for a whirl.

So, right off, folks reading this book today will  see that its dated. Not just in the wildly inventive scientific speculations, which have clearly been been proven false since it was written, but also the number of quirks about 1959 society that Vonnegut assumed would last into the indefinite future, and, you know...haven't.

I've seen this a number of times in classic SF, from Asimov and others, who foresaw a world where alien carrying spaceships bopped around our solar system, and humans are augmented and/or armed with super-cool laser technologies, but where women are still fetching coffee. asimov, one could argue, got it even worse

That said, this book has got some pretty original thinking, some wild ideas, and speculates on some pretty crazy ways to accomplish one's goals, despite the worse-case scenarios you may be living in. Its also witty in many places, and pretty funny in some others. There are also some over-arching themes, and even some interesting views on the development--and potentially the very existence--of human life on earth, that reminded my a little of the Hitchhiker's Guide.

This was a fun little throwback, and a treat to read for those interested in classic Sci Fi.

the martian

The Martian is Andy Weir's first book. Obviously this book made a big splash, especially when you consider that Weir self-published this book originally! Gives hope to all the struggling novelists out there, right? yeah, me too I saw the movie a few years ago, and it was good and I figured I'd read this at some point, and as it often happens, I run into a book like this at a book sale. This copy came from a library book sale, and looks like a British copy, which may have been purchased for a flight home perhaps?

I read another book by Weir a couple of years ago, which I recommended. I said then that I'd seen some murmurs on line about potentially making a movie based on that book. Haven't seen it yet, but who knows. The Martian as a book, is much more involved than the movie, as is typically the case. So seeing the movie a few years ago didn't prevent me from enjoying this book at all. Writing a novel with a single protagonist, who has no one to speak to, seems like a daunting challenge, but Weir does a good job of delivering this story in way that kept me engaged from beginning to end. I enjoyed this more than I expected to.

What I think holds this story together is the science, and the problem solving Weir's character Mark Watney has to continually do in order to stay alive. As I said to my wife, understanding modern science and technology, the ability to project forward where the technology might go, and then using fiction to test those technologies is a tactic that many great SF authors have used. Asimov and Stephenson are two authors that come to mind that do this.

Read this book.

ready player two

I didn't read Ready Player One, I saw the movie. I know, bad reader. <rolled newspaper to the snout> * I have, however, now recently read Ready Player Two, and it was pretty good. It was fast moving, funny, adventurous (in a what-I-assume-a-gamer-D&D-mash-up-in-the-future-would-be way) romantic, sweet, and slightly sickening around the edges. Ernest Cline is a few years younger than I am, so he was exposed to a lot of the same pop culture stuff I was, but I'm a little older and so missed al\ lot of the video game wave that came just as I went off to college while kids of his age were discovering video games outside the arcade, which is where I was most likely to play them. My dad did bring home a Pong console, with woodgrain contact paper on it, that we attached to our TV for tennis and racketball games. that was it tho

Cline has created a group of characters, that between them, have encyclopedic knowledge of of their areas of interest that would make any geek proud. It has always amazed me how so much minutia can be absorbed by a serious fan of something, when every outward sign would seem to indicate that they geek in question would be incapable of that knowledge. But that is what I think Cline's genius is; getting us to understand that the enthusiasts** in his stories aren't unlike us, or incapable, or in any way inferior to any of us who don't happen to know Gandalf's real name, all of Inigo Montoya's lines in The Princess Bride, Prince's songwriting credits for other artists, or the name of the first female protagonist video game.***

And like any good video game there were plenty of Easter eggs. Most of which, I probably missed, but go geeks! I had fun reading this, there were plenty of things for me to geek out on given the time period these future protagonists are looking back to (the last 40 years or so.) It went fast, and I would definitely read another one based on this read, but it looks like it took about 10 years to get this one done since the last, so we shouldn't hold our collective breath. Next question: will Spielberg make a movie of this one two? Maybe, I think is the answer. The first movie did really well so, my money is on yes.

* I know, relax, no one does that to dogs anymore; where you gonna find a newspaper?

**  yes, enthusiast = geek hey, are you reading ahead?

*** that's just good trivia, you'll have to figure that one out yourself.

termination shock

I will read whatever Neal Stephenson writes, and I'm typically not disappointed. Termination Shock however, was a little slow. I borrowed this book from the library, and I had it for 4 weeks and a day. maybe two days? That's not because I didn't read it, I did. I read a little everyday, but I wasn't absorbed, it didn't take over my life, I didn't spend hours on the couch after weekend breakfasts gobbling this one up. It was good... it just wasn't great.

After an exciting start, this really book got rolling at about page 100. You know; characters developed, stage pieces set, a few teasers floating out there to keep us interested, and I'm ready for that baseline to drop...

Page 300, and the baseline hasn't dropped.

Inspired by Moby Dick, you say? Maybe, that's a good guess. MD is pretty slow, after all. Written in time when folks had nothing better to do, and perhaps appreciated a long tale to stave off boredom. And maybe this is Stephenson's answer to that in our times, with COVID and folks having no place to go. But I'm not buying that. Melville's Pequod perhaps could hold the attention of his audience, but Stephenson's audience has the interwebs, and Netflix. And Candy Crush, or whatever.

A timely glimpse into our possible future? Yep. A well thought out story arc, based on real world problems and science/reality based solutions, as well as believable and appropriate reactions to said problems, and their proposed solutions, helping us to better understand how these news stories we hear about today may actually play out in our futures? Yep, yes, and right on. All that is there, as you'd expect from Neal Stephenson, as well as that well plotted story arc. Just... you know... not enough juice.

For me anyway.

I'm not recommending this one,* but this experience alone doesn't change my stance on Stephenson, he hasn't always knocked it out of the park. Read some of the other stuff. I'd start with Seveneves, and Snow Crash, and then perhaps Diamond Age. You can see all of the Stephenson books I've read (since this blog started) by going to The Books tab. You'll find 10 of his books listed there along with links to my reviews/comments. And if you look to the right, you'll also see that Snow Crash is enshrined in my list of 'great' reads.

* If you love Neal Stephenson and who doesn't you should go ahead and read this. Its a good story, the characters are great, and he's just so smart, its a pleasure to read his prose. Its just a little slow-paced.