The Oresteian Trilogy consists of three plays, translated from ancient Greek; Agamemnon, The Choephori, and The Eumenides. These plays, written by Aeschylus (525 - 456 BCE) tell of the tragedy that befalls Agamemnon and his family shortly after his return from the 10 year battle in Troy. Paris has been defeated, Troy sacked, and Cassandra taken as spoils of war back to Argos (Mycenae) and his wife Clytemnestra, sister of Helen.
You'll recall that Agamemnon went to Troy at the request (demand) of his brother Menelaus, King of Sparta, whose wife, Helen was stolen by Paris during a visit to Sparta for a wedding. Menelaus was obviously pretty peeved to lose he wife like this, and demanded the armies join him in marching on Troy to punish Paris and retrieve his queen. This bit is told in The Iliad, and because that story was as well known then as it is now, Aeschylus could skip to the days before Agamemnon arrived home.
Why is it, that after 10 long years beneath the walls of Troy, watching countless other men die in battle, including his brother Menelaus, Agamemnon has to travel all the way back home in victory before tragedy catches up with him? Well, that has to do with the curse on his family, that extends back to his grandfather Tantalus, who feasted with the gods, and then betrayed their secrets to mortal men. And it doesn't end with him, but with his children; Iphigenia, Electra, and his son Orestes, for whom the trilogy is named.
Because this story is so well known, is apparently why Aeschylus chose it to teach the populace about justice. Not the eye-for-an-eye justice of the ancient gods, but the modern justice of the emerging Greek democracy. Aeschylus weaves the ancient and modern ideals together, and like any persuader worth his salt, uses the believes of the people as a bridge to a new way of thinking. Conscripting Athena herself as the voice of justice, forming the very first court of justice, with 12 citizen jurors to decide the fate of Orestes, and finally bring an end to the family curse.
Because Aeschylus has an agenda, he's had his with the story and the characters to suit that agenda, so the stories in these three plays do not align with much of the popular Greek myths concerning these characters. 3000 year old fan fiction?
Translated from Greek by Philip Vellacott, who also wrote the introduction.
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