Caravaggio’s paintings, when tragedy strikes. Guys like Allon tend to be in the right place at the wrong time.
Daniel Silva takes another whack with his Israeli super-spy, and this one doesn't disappoint either. I haven't paid much attention to order in which these stories were written but I noticed that this story did include some things that were alluded to in another story I read, so I assume this one comes later in the overall story arc. If you're concerned about that kind of thing, there is a great site out there to help you stay up to date called FictFact. yer welcome
Silva may have gotten a dreamy about the possibilities for Israel with this one. Maybe hopeful is a better word. But when you're writing a novel about a fictionalized version of Israel, why not realize your dreams, if only a little. Don't worry, Silva doesn't erase the reality of what Israel is and what it has to deal with, but some of the events that occur, if they ever did in reality, would be game-changers indeed.
I just read another Gabriel Allon book, and I said in that that Allon has to walk a line between becoming too personally involved and maintaining his distance so that he can do his job without becoming emotionally trapped. What I realized reading this one, is that he already is trapped. What he does for a living is restore paintings. The reason he restores paintings is because he can't find it in himself to create new works because of what he has to do to protect his country. His duty has taken nearly everything from him. He knows that. He has tried to retire countless times, but he is still compelled to help. That drive is the engine that moves this series forward.
The Fallen Angel in this case, is only the beginning. But the title could just as well be about Allon.