on-the-fringe

Sweeney On-the-Fringe is a short, sweet little novel by Dave Robinson, which states on the cover that it is "Based on the notes of Owen Kivlin" <--you can see it right there * who is the narrator of the book, and the 'compiler' of the various stories about Sweeney, and poems written by Sweeney, which were either either left around, or more often mailed to the narrator by Sweeney, from some exotic local where Sweeney was invariably surfing and relaxing. The motivation behind the telling, is that no one has seen or heard from Sweeney at the time Owen Kivlin begins to try and figure out both where Sweeney may have gone, and why he left. He attempts to figure out the mystery of Sweeney by trying to discover more about him; a folk tale of their fictional Massachusetts, seaside town of Seawell, located at the mouth of the Merrimack River. 

The small town, we soon find out, is actually a small city, and the name, its location--and the author's home town--all point to Seawell being inspired by Lowell, Massachusetts, combined with some other small, New Englandy towns. The Merrimack River actually meets the Atlantic between Newburyport and Salisbury, Massachusetts. Neither of which is a city, nor has a university, and I don't think either has an airport [nope, hold it, looks like Plum Island has a small airport.] Plum Island is a pretty big island that runs north-south along the coast of Newburyport, and apparently, you can surf there, as well as north of the river's mouth, at Salisbury Beach.

Sweeney is the story of a local legend. That guy from a few years ago, who always seemed to be able to do whatever he wanted, and no one could figure out how, and most couldn't figure out why. The story is told through a series of transcribed interviews with, and letters from, people who knew Sweeney; interspersed with Sweeney's own poems. The interesting part is that Sweeney knew a lot of people, from different generations and walks of life, and they all knew different parts of his story, but none knew his whole story. And even by the end of the novel, Owen Kivlin still doesn't know all there is to know about this enigmatic man who touched all of their lives, in profound and subtle ways.

In the 'About the Author' blurb in the backmatter, the author indicates that this 2007 novel is the first in a trilogy. A quick look around the interwebs turns up only this: Sweeney In Effable, which is a single volume containing five books, one of which is Sweeney On-the-Fringe. The description of Effable on it's Amazon page includes this line:

"This contemporary protagonist is based on the ancient Irish legend from Trevor Joyce's translation, Sweeny Peregrine, with a nod to Seamus Heaney's Sweeney Astray." 

So there is a tradition for this slippery, Loki-esque or Pan-like character. This one was a fun ride.

Read this Book.

* Another thing you can see on the cover, is the horrible font they used for the title, which unfortunately, follows us throughout the book. I was thinking, what does on-the-Frince even mean?

space between worlds

I'm pretty sure this book came from the book sale at my local library. It didn't seem like anyone had even opened it when I picked it up (for a dollar or two!) so I assume it was a gift or something. you missed out, bro! Micaiah Johnson is a young author from the desert west, and The Space Between Worlds is her first book, from 2020. She has a new one out now, which is called Those Beyond the Wall.

Sci Fi is one of my go-tos but I don't often get the chance to read something new and great, and this was both. Johnson has created an alternative world, which may be in our future, or it may be in an alternate universe, very similar to ours. And we aren't alone. Johnson's protagonist, Cara, is a bridge between the world of poverty and oppression she was born into, and the shining white city on a hill where she is currently employed. She is also the bridge between the infinite worlds of the multiverse, playing the various versions of people and places that exist in each, but only tuned to a different frequency, Cara finds that she can learn from, borrow from, and interact with different versions of the people she knows, weaving their frequencies together in a song only she can hear, discordant though it may be.

There is also conflict within Cara, between the two parts of herself that struggle with wanting to be true to her roots in poverty, while striving to become accepted in the city she works in. To complicate her struggle, their are people she loves in both worlds, people she both wants to be with, and not disappoint.

The interplay and layers of realities and relationships, and how Cara finds her way between and around them, is what makes this story work so well. Classicism and prejudice are more ingrained, more ineradicable, in this world. And because that is so, its all the more grating and ruinous. The peoples that populate this world take it for granted; its a given, and that starkness is both an unflattering mirror of our own world, and heartbreaking in its despair. 

Johnson has created a world that is both hard to look at, and too beautiful to ignore, peopled by characters with similar qualities. I enjoyed this all the way through. Good for you Micaiah Johnson. 

Read this book.

persepolis

I haven't read a ton of graphic novels, but some.* This book was a loan from my oldest; not too long ago I commented that I had read a bunch of books written by authors sympathetic to the Israeli point of view in its continuing quarrels with its Middle Eastern neighbors, and I was hoping to read something that took a different view. Marjane Satrapi was born in Iran, was raised there as a child, and moved to Austria for her education--what ended up as essentially a boarding school, with her parents stuck in Iran--not long after the fundamentalist revolution or uprising in Iran.  

Persepolis ** is her telling, in two parts, of her life as a child in Iran,  her teens in Austria as a student and newly birthed innocent into the ways of the West, and her eventual return (at least for a while) to her home and family. One assumes this is strictly autobiographical, but I don't know that I actually read that anywhere... let's check. Random House lists it as Biography/Memoir, so I guess so.

The illustrations/cartooning in the graphic novel are bold, black and white. When I did an image search for Marjane Satrapi a lot of her photos are also black and white, which made me wonder if that is so because that is what she wanted, or if the photographer or publisher of the photo used black and white because of the novel's imagery. hmmm

The story of Satrapi is one of conflict; between her and her family and the oppression the are forced to live under, as well as the conflict of her innocent early years in contrast to the modernism of Vienna where she attended school. She rebelled against the regime as a child, and rebelled against xenophobia and elitism in Vienna, and after her return to Tehran, she rebels again as an adult, and eventually leaves again to live in France and find the freedom she tasted as a teen.

As you would expect there are scenes of sweetness, and sickening oppression, stress, anger, prejudice, love, and healing, but none of these ideas and feelings overwhelms the story. In the end I felt for the author, and had the feeling that she did the best she could with what she had. Maybe not as good as some in similar circumstances, but better than most. 

While confirming for this blog entry, I discovered that there is another book, Persepolis 2, that presumably continues the story, so I'll need to look for that. There was also an animated movie of the same name, with a limited US release, in 2007.

* Watchmen, and one or two others.

** The title Persepolis, I presume, comes from the capital City of the Achaemenid (Persian) Empire, of the same name, founded by Darius I, about 2500 years ago, which sits in current south-west Iran. The city is a UNESCO World Heritage Site.