The Rule of Four appears to be the first book by Ian Caldwell, which he co-authored with Dustin Thomason. The info on the book jacket indicates that they wrote this over a number of years, in their twenties. I read his more current book last year, and that was terrific. I tried to find this book at the library then, but it was out. The reviews on this book were pretty good, and the publisher was then touting it as DaVinci Code-like. not really
Caldwell and Thomas have developed a really interesting story revolving around a mysterious 500 year old book called Hypnerotomachia Poliphili,* which is the subject of a Princeton senior's research paper. The story, told from the perspective of the researcher's roommate, spins a tale that goes back to his own father's obsession with the same book, and was the spark that united the two roommates to begin with. The researcher, Paul, recognized his future roommate's name from the dedication in his father book; Thomas Corelli Sullivan. [Paul: Are you that Tom? I'm a big fan of your father! Tom: Yeah, I am. But, he's dead. And that book is whack, right?]†
By the time Paul and Tom are seniors, they have two more pals, Gil and Charlie, and all four are fast friends and roommates. Paul has been cracking on Hypnerotomachia Poliphili for 4 years now, and has finally begun to make some headway. His interest in the story is what brought him to Princeton, where Vincent Taft is a scholar on the book, and an old adversary of Tom's father. The two started out as friends before Tom was born, but soon argued over the book, and ended up hating each other. Another guy who was also into the book, and was friends with both Sullivan and Taft also shows up as a patron for young Paul. Everyone is trying to get in on the action as Paul, with some help from Tom, starts to uncover some of the book's secrets.
So its intrigue, mystery, whodunits, back-stabbery, and bumbling campus police; uselessly yelling 'stop right there!' about 20 times throughout the book. The title appears to come from math, rather than the Supreme Court.
It was okay. They took a long time to write it, and it still ended up being a little jerky and fragmented feeling. You don't need to read it prior to The Fifth Gospel, its unrelated. in fact, you don't need to read it at all
* Translates as: "The Strife of Love in a Dream."
† That's not a direct quote. More of a synopsis.
book reviews, bookmark collection, discussions about libraries, library design, information technology... and robots.
Monday, May 22, 2017
Sunday, May 7, 2017
darker shade of magic
I recently saw that V.E. Schwab has released the third book in her Shades of Magic series. I ended up reading the second book a little while ago, inadvertently. When I found out, I was a little grumpy about it, and then decided to wait for the rest of it before going back to the first book: A Darker Shade of Magic.
I guess I probably should have looked very carefully at the third book in the library to see if there is more coming, but I didn't do that, and I've already returned this book and picked up the third, so I'm afraid its too late for me. stay tuned, and I'll let you know when I finish number three
Darker Shade is where this story begins, and I found myself saying, 'ah, now I get it' or something similar, every time I ran into something I was expected to understand when I read the second book. Schwab has created a universe that has some depth and breadth to it. In a vein similar to Narnia and others, where there are alternative worlds one can get to, if only ones knows how. Schwab takes us to alternate versions of our own London, which seems to be a kind of city-based magical axis, about which the multiverse turns. I mean, why not London, right? Each of the worlds has the magical London at its center, but it is the capital city of differing countries, with very different cultures and languages in each world, some clearly more magical than our own--depressingly referred to as Grey London. They all seem to be based in the late feudal era, including our own, so, you know, swords and crap. schwing
Most of the action takes place in Red London, where the magical volume knob is turned up to 9. just for reference, 10 would be Wonderland, of Alice fame, with singing flowers, and opium smoking caterpillars There are some special and rare spell-casting types, called Antari, that only come along once in a blue moon (no, there is no actual blue moon in the story, at least not yet) and these folks are the only ones capable of passing between worlds. One of these, the mysterious Kell, is passing through on a diplomatic mission to our own Grey London, when he crosses paths with thief named Delilah Bard. Lila just happens to be looking for a fresh start, and even though its against the rules to bring even items across the boundaries between worlds, Lila ends up making the trip.
Schwab has done a good job of creating a fun, intriguing, and exciting story. I'm looking forward to finishing up in the third book (I hope!)
I guess I probably should have looked very carefully at the third book in the library to see if there is more coming, but I didn't do that, and I've already returned this book and picked up the third, so I'm afraid its too late for me. stay tuned, and I'll let you know when I finish number three
Darker Shade is where this story begins, and I found myself saying, 'ah, now I get it' or something similar, every time I ran into something I was expected to understand when I read the second book. Schwab has created a universe that has some depth and breadth to it. In a vein similar to Narnia and others, where there are alternative worlds one can get to, if only ones knows how. Schwab takes us to alternate versions of our own London, which seems to be a kind of city-based magical axis, about which the multiverse turns. I mean, why not London, right? Each of the worlds has the magical London at its center, but it is the capital city of differing countries, with very different cultures and languages in each world, some clearly more magical than our own--depressingly referred to as Grey London. They all seem to be based in the late feudal era, including our own, so, you know, swords and crap. schwing
Most of the action takes place in Red London, where the magical volume knob is turned up to 9. just for reference, 10 would be Wonderland, of Alice fame, with singing flowers, and opium smoking caterpillars There are some special and rare spell-casting types, called Antari, that only come along once in a blue moon (no, there is no actual blue moon in the story, at least not yet) and these folks are the only ones capable of passing between worlds. One of these, the mysterious Kell, is passing through on a diplomatic mission to our own Grey London, when he crosses paths with thief named Delilah Bard. Lila just happens to be looking for a fresh start, and even though its against the rules to bring even items across the boundaries between worlds, Lila ends up making the trip.
Schwab has done a good job of creating a fun, intriguing, and exciting story. I'm looking forward to finishing up in the third book (I hope!)
Friday, May 5, 2017
madame rose
Madame Rose - Belgian Style Wild Ale, by Goose Island Beer Co. of Chicago, IL, is not something that I would have gone out and purchased for myself, without knowing a little more about it, so I'm sharing my thoughts on this heady brew so that you'll feel more comfortable about picking up your own bottle.
And I think perhaps you should.
This fine bottle of oak aged wild ale was a gift of the fine folks out in Erving, MA on the occasion of my office's 20th anniversary party, held last week. Thanks to Barbara and Steve who came to help us celebrate, and carried this fine bottle (along with a nice book I'm looking forward to reading, complete with some bookmarks!)
Clicky-click on the picture of the label to expanderize mon frere! Its says that this is a 2016 release, wild ale, aged in wine barrels with cherries. Crazy, right? The rear label states that this was bottled a year ago, yesterday, and has an ABV of 6.7%, along with a suggestion to enjoy in a wide mouth glass (which we are), a warning that it contains wheat (good to know) and that it can be bottle-aged for up to 5 years (fat chance.) We all enjoyed a little of this here to end out the week, and the first sip was taken in a toast to Erving, and their successful town meeting on Wednesday night. Here are my thoughts on this beer:
Rich amber, honey color with a foamy, full, cream colored head. Active carbonation, that tickles the nose, similar to a natural sparkling water. The aromas are extremely bright: citrus, caramel, and jam, with background notes of the sea. The taste is very tangy; lemony in its intensity, lemon pith, steeped fruit, and tart syrupy quality. Smooth and sparkly on the tongue, but after further tastings, the carbonation drops off. The finish is long, slightly bitter and tart, with a soft oak and smoke taste that lingers pleasantly.
Update: After 15 or 20 minutes, after the oak and smoke fades, I was left with the taste of cherries. That deep, tannin laden taste of the red-black cherry skins. It just keeps on giving.
Thanks again to the folks in Erving, and congratulations to you all!
And I think perhaps you should.
This fine bottle of oak aged wild ale was a gift of the fine folks out in Erving, MA on the occasion of my office's 20th anniversary party, held last week. Thanks to Barbara and Steve who came to help us celebrate, and carried this fine bottle (along with a nice book I'm looking forward to reading, complete with some bookmarks!)
Clicky-click on the picture of the label to expanderize mon frere! Its says that this is a 2016 release, wild ale, aged in wine barrels with cherries. Crazy, right? The rear label states that this was bottled a year ago, yesterday, and has an ABV of 6.7%, along with a suggestion to enjoy in a wide mouth glass (which we are), a warning that it contains wheat (good to know) and that it can be bottle-aged for up to 5 years (fat chance.) We all enjoyed a little of this here to end out the week, and the first sip was taken in a toast to Erving, and their successful town meeting on Wednesday night. Here are my thoughts on this beer:
Rich amber, honey color with a foamy, full, cream colored head. Active carbonation, that tickles the nose, similar to a natural sparkling water. The aromas are extremely bright: citrus, caramel, and jam, with background notes of the sea. The taste is very tangy; lemony in its intensity, lemon pith, steeped fruit, and tart syrupy quality. Smooth and sparkly on the tongue, but after further tastings, the carbonation drops off. The finish is long, slightly bitter and tart, with a soft oak and smoke taste that lingers pleasantly.
Update: After 15 or 20 minutes, after the oak and smoke fades, I was left with the taste of cherries. That deep, tannin laden taste of the red-black cherry skins. It just keeps on giving.
Thanks again to the folks in Erving, and congratulations to you all!
mr. fox
Mr. Fox is a (mid-century) modern fairy tale, written by English writer, Helen Oyeyemi. This one had some similarities to another recent book I read, but if anything, was even more surreal. Oyeyemi got the mid-century feel down cold. From the male-female relationships to the decor and the clothing; all subtly hinted at, but right on as far as I could see. It had the snap of 60s television or movies. And then, it just stepped off the edge.
Mr. Fox is a writer, and his muse, Mary Foxe, is a figment he's had for years, but has become so real, that Mr. Fox is beginning to see and talk to her the way a 4 year old may do with their imaginary friend.
Mrs. Fox is not amused.
Mary Foxe has returned to visit Mr. Fox, in his study, after years of separation. Mary is concerned that Mr. Fox is increasingly misogynistic in his writing, or has maybe always been so, and as his muse, she feels obligated to lead him on a better path. What follows is a series of fables that Fox and Foxe write for one another, or together, or with the other's inspiration, in an effort to find a way forward. These short stories, fables and tales, are interspersed with increasingly strained scenes featuring Mr. & Mrs. Fox, and the 'other woman.'
Its not always clear whose voice the narrative is in, and I'm not sure it really matters, as the lives of this couple and their third wheel spin toward the future. The tales tell us as much about the protagonists as the main body of the text does, but in ways that aren't typically available to writers and readers.
This was fun to read, odd, entertaining, and ultimately, delightful. I'll keep my eye out for Ms.
Oyeyemi's work in the future.
Mr. Fox is a writer, and his muse, Mary Foxe, is a figment he's had for years, but has become so real, that Mr. Fox is beginning to see and talk to her the way a 4 year old may do with their imaginary friend.
Mrs. Fox is not amused.
Mary Foxe has returned to visit Mr. Fox, in his study, after years of separation. Mary is concerned that Mr. Fox is increasingly misogynistic in his writing, or has maybe always been so, and as his muse, she feels obligated to lead him on a better path. What follows is a series of fables that Fox and Foxe write for one another, or together, or with the other's inspiration, in an effort to find a way forward. These short stories, fables and tales, are interspersed with increasingly strained scenes featuring Mr. & Mrs. Fox, and the 'other woman.'
Its not always clear whose voice the narrative is in, and I'm not sure it really matters, as the lives of this couple and their third wheel spin toward the future. The tales tell us as much about the protagonists as the main body of the text does, but in ways that aren't typically available to writers and readers.
This was fun to read, odd, entertaining, and ultimately, delightful. I'll keep my eye out for Ms.
Oyeyemi's work in the future.
Subscribe to:
Posts (Atom)